Let's Get Together

Pam Todd & Love Exchange: Let's Get Together (1977)
Such a great song and such a bad mastering job... The overall sound is not bad, but someone must've bumped on the master volume at 0:39.
Produced by Greg Carmichael, of course.
When you play it, say it!











Labels: Los Angeles, New York, Oakland, Philadelphia, San Francisco

Labels: Bay Area, Disco, house, Los Angeles, New York, Remix

Labels: Cold Chillin', New York, Rap
I gave up going out tonight due to a work deadline tomorrow and here I am, posting random disco songs. Oh well. At least we have a little Jocelyn Brown theme here.Labels: Began Cekic, Disco, Jocelyn Brown, New York


Labels: Disco, Jocelyn Brown, New York, Rap, sample
And once more for all of you who missed this the first time around, the impeccable Stand Back Remix:
Another perfect example of a disco dub just murdering the vocal version. RIP Tee Scott.Labels: Disco, instrumental, lossless, New York
J.Beez Comin Through Bonus Beats (1989)Labels: classic, instrumental, New York, Rap, Remix
I kind of always thought Check It Out was the weakest of the three Reel To Reel singles. As much as I enjoyed Puba and Mary, the A-side never did much for me. But I must've really slept on the b-side, cause the remix of That's How We Move It buried there is like the best thing ever. I mean, how could it not be, with Puba in top form over a sample like this?
The Disco Files 1973-78- New York's Underground Week By Week will be published by DJHistory.com and should be out in April.Labels: Disco, journalism, New York
From rap to dancehall to house, all in all Big Beat was a real solid label through most of the 1990's. Some of my favorite things are the handful of party breaks they put out and as far as I'm concerned the Deep In Brooklyn mix of Kenny Dope's Supa is still one of the dopest in the genre. Dancehall vocals over rap beats always work for me and the Louie Rankin loop here is especially addictive.
Labels: New York, party break









I had to post this great Marley Marl radio set I've been listening to repeatedly during last week's travels. Great selection and a super dope freestyle by Kool Keith himself. I grabbed this in a big lot of 80's radio shows a while back, I believe the tape rip is by someone called A to the L. Enjoy!Labels: New York, radio show, Rap
Labels: classic, Dilla, New York, Rap, underground rap, Youtube



Some real classic dancehall remix business right here. This was a joint release between VP and Dope On Plastic, Funkmaster Flex's label. The production is credited to someone who calls himself Da Big Daadee, but as far as I know that's Flex himself on the boards.

Labels: Disco, electro-funk, Los Angeles, New York
Labels: Helsinki, Los Angeles, New York
So is this like the best remix ever or what? A long time ago I used to play it as the last song of the night for a while, I guess I could start doing that again.


Labels: Helsinki, Internets, New York, radio show

Labels: electronic, New York, RnB

So I've been on this early-90's rap kick lately, playing semi-forgotten bangers like this to prime time dancefloors. I never had doubles of the 12" (translucent orange like whoa), but thanks to digital technology I now have this routine where I do the original version first and go to the remix from the first chorus.



I was planning to do a big Began Cekic post, but ran into some obstacles (not being able to locate some of the 12"s I wanted to rip to be exact). I had to post one, though. Burning Hot is one of the shady Yugoslavian's famous replayed disco medleys and I think one of the longest ones too, clocking in at close to 15 minutes. The dubby production still sounds fresh and I've found it useful for the right occasion. As many of Cekic's releases, this was remixed by the legend Tee Scott himself.Labels: Began Cekic, Disco, medley, New York, obscure
Wabiné was a late-70's disco side project of Trini musicians based in New York. They released two 12"s on their Wabiné Productions label, the first of which was The Martian's Visit b/w Sail On. The A side was compiled by Dimitri From Paris a few years back, I always preferred the somewhat cheesy but very catchy flip that some might also remember from this little bootleg.


Labels: hip house, New Jersey, New York, obscure


Labels: Helsinki, mix, New York, Rap, underground rap
I was going to have this on the house mix last week, but decided to leave it out at the last minute. I guess I felt it was too moody, I dunno. A beautiful song, nonetheless.



Btw, those who can't stand a little crackle might as well skip this. The 12"s been PLAYED. 
I don't think I need to post the famous Sylvia Striplin sides again, instead here are some slightly lesser known jams courtesy of Roy Ayers' short-lived disco label.



Scarface feat Jay-Z & Beanie Sigel: Guess Who's Back (2002) Labels: classic, Kanye, New York, Philadelphia, Rap

Honestly, The New Harlem Sound is one of my all time favorite records, in any genre. There's something in the combination of quirky Spanish pop samples and classic hip hop beats that I find really touching. The EP was released in 1986 on the very open minded Celluloid label and bootlegged in 2004 due to high demand in Japan particularly. Choco himself is better known as a house music producer and an engineer, over the years dude has engineereed numerous Wu-related albums among others.


Osunlade: My Reflection
Ever since Choice Is Yours was played to death ten years ago Strobelite Honey has been the one Black Sheep joint to pull out, for me at least. I always liked a good uptempo party rap jam and back then there definitely wasn't too many of those.
This used to be the shit back in 95 and to this day I think it's one of the best from the era. Also, I always thought the song has a real winter vibe to it so it's perfect to be posted now. Dude was featured on a bunch of Wu-related tracks before and after this release, but other than that I don't really know much about him.
Just picked up the bangin new Tony Matterhorn tune on Massive B's Go Go riddim. Amazing.



